The Sound and the Fury by William Faulkner

In the novel The Sound And The Fury by William Faulkner, there is a relation to the idea of the fatal woman which was a major theme in the late nineteenth´ century literature and can in a certain way be transferred to the role of Caddy Compson, and partly to her daughter Quentin, mainly in her function consisting the decay of the whole family, their members, their ideals and their way of life.

The remaining essays offer a kaleidoscope of critical readings, beginning with two essays that delve into the problematics of narrative in the text. The next two essays focus on the material by narrowing in on the function of money and the financial in the novel. In yet another intriguing duo, the essays by Sarah Robertson and Ren Denton explore secrets of race and sex in Faulkner’s novel. The final three essays employ critical approaches of the most unique nature: a reading of the novel in the context of two wars through the lens of the emerging field of fat studies and a reading of Quentin Compson as a character who is representative of Faulkner's ideas about schooling and student life.Įach essay is 2,500-5,000 words in length and all essays conclude with a list of 'Works Cited,' along with endnotes.Rheinische Friedrich-Wilhelms-Universität Bonn Englisches Seminarĭer amerikanische Roman des 20. The final essay in this section, by Gretchen Martin, provides a r eading of The Sound and the Fury in the context of another of Faulkner's work, Absalom, Absalom!. The second essay helps those seeking to understand the history of the critical reception of the novel by offering an insightful guide to the responses of professional critics for The Sound and the Fury. Christopher Rieger's essay aims to view the title through a critical lens, showing how nature is sometimes feminized and eroticized and from which the Compson brothers are estranged. David Hein's chapter helps those seeking to understand the novel's historical context by considering the religious background. This section consists of four essays that provide more specific critical context to the featured title. This volume opens with a number of contextual pieces, starting with a general statement on The Sound and the Fury by the editor, which provides an overview of its composition history, its major themes, its adaptations, and observations on strategies for reading its difficult pages. Miles, Sarah Robertson, and Frédérique Spill.Įach Critical Insights is divided into four sections:Īn Introduction – The book and the author Urgo as well as an international cast of important emerging critics such as John B. Among the contributors are such established and celebrated scholars as Cheryl Lester, Theresa Towner, and Joseph R. The essays investigate such topics as the environment, war, and industrialism in The Sound and the Fury while offering fascinating explorations of time, the instability of meaning, and secrets of miscegenation.

The Sound and the Fury by William Faulkner